The Devil in America Page 5
Swapt clean off, his head went flying, his body dropped straight down. The other one got a hand to his belt and scrabbled for a pistol while Ma’am stepped up and hauled back to come round for his head too. Which one first, then—pistol or axe? He got the gun out and up and shot. Missed, though, even that close, his hand useless as a drunk’s, he was so scared. The axe knocked his chest in and him off his feet. Ma’am stomped the body twice getting her axe back out. With one hand she plucked Easter up off the ground to her feet. “Run, girl!”
They ran.
They should have gone straight into the woods, but their feet took them onto the familiar trail. Just in the trees’ shadows, a big white man looked up grinning from a child small and dead on the ground. He must have caught some flash or glimpse of swinging wet iron because that white man’s grin fell off, he loosed an ear-splitting screech, before Ma’am chopped that face and scream in half.
“Rawly?” Out of sight in the trees, some other white man called. “You all right over there, Rawly?” The fallen man, head in halves like the first red slice into a melon, made no answer. Nor was Ma’am’s axe wedging out of his spine soon enough. Other white men took up the call of that name, and there was crash and movement in the trees.
Ma’am and Easter ran off the trail the other way. The wrong way again. They should have forgotten house and home and kept on forever into wilderness. Though probably it didn’t matter anymore at that point. The others found the body—axe stuck in it—and cared not at all for the sight of a dead white man, or what had killed him. Ma’am and Easter thrashed past branches, crackled and snapped over twigs, and behind them in the tangled brush shouts of pursuit kept on doubling. What sounded like four men clearly had to be at least eight, and then just eight couldn’t half account for such noise. Some men ahorse, some with dogs. Pistols and rifles firing blind.
They burst into the yard and ran up to the house. Ma’am slammed the bar onto the door. For a moment, they hunched over trying only to get air enough for life, and then Ma’am went to the wall and snatched off Brother’s old Springfield from the war. Where the durn cartridges at, and the caps, the doggone ramrod…? Curses and questions, both were plain on Ma’am’s face as she looked round the house abruptly disordered and strange by the knock-knock of Death at the door. White men were already in the yard.
The glass fell out of the back window and shattered all over the iron stove. Brother, up on his back legs, barked in the open window, his forepaws on the windowsill.
“Go on, Easter.” Ma’am let the rifle fall to the floor. “Never mind what I said before. Just go on with your brother now. I’m paying your way.”
Easter was too afraid to say or do or think, and Brother at the back window was just barking and barking. She was too scared.
In her meanest voice, Ma’am said, “Take off that dress, Easter Sunday Mack!”
Sobbing breathlessly, Easter could only obey.
“All of it, Easter, take it off. And throw them old nasty beads on the floor!”
Easter did that too, Brother barking madly.
Ma’am said, “Now—”
Rifles stuttered thunderously and the dark wood door of the house lit up, splintering full of holes of daylight. In front of it Ma’am shuddered awfully and hot blood speckled Easter’s naked body even where she stood across the room. Ma’am sighed one time, got down gently, and stretched out on the floor. White men stomped onto the porch. Easter fell, caught herself on her hands, and the bad one went out under her so she smacked down flat on the floor. But effortlessly she bounded up and through the window. Brother was right there when Easter landed badly again. He kept himself to her swift limp as they tore away neck-and-neck through Ma’am’s back garden and on into the woods.*
*Stop here, with the escape. Or no; I don’t know. I wish there were some kind of way to offer the reader the epilogue, and yet warn them off too. I know it couldn’t be otherwise, but it’s just so grim.
—Dad
Epilogue
They were back! Right out there sniffing in the bushes where the rabbits were. Two great big ole dogs! About to shout for her husband, Anna Beth remembered he was lying down in the back with one of his headaches. So she took down the Whitworth and loaded it herself. Of course she knew how to fire a rifle, but back in the War Between the States they’d hand-picked Michael-Thomas to train the sharpshooters of his brigade, and then given him one of original Southern Crosses, too, for so many Yankees killed. Teary-eyed and squinting from his headaches, he still never missed what he meant to hit. Anna Beth crept back to the bedroom and opened the door a crack.
“You ’wake?” she whispered. “Michael-Thomas?”
Out of the shadows: “Annie?” His voice, breathy with pain. “What is it?”
“I seen ’em again! They’re right out there in the creepers and bushes by the rabbit burrows.”
“You sure, Annie? My head’s real bad. Don’t go making me get up and it ain’t nothing out there again.”
“I just now seen ’em, Michael-Thomas. Big ole nasty dogs like nothing you ever saw before.” Better the little girl voice—that never failed: “Got your Whitworth right here, honey. All loaded up and ret’ to go.”
Michael-Thomas sighed. “Here I come, then.”
The mattress creaked, his cane thumped the floor, and there was a grunt as his bad leg had to take some weight as he rose to standing. (Knee shot off at the Petersburg siege, and not just his knee, either …) Michael-Thomas pushed the door wide, his squinting eyes red, pouched under with violet bags. He’d taken off his half-mask, and so Anna Beth felt her stomach lurch and go funny, as usual. Friends at the church, and Mama, and just everybody had assured her she would—sooner or later—but Anna Beth never had gotten used to seeing what some chunk of Yankee artillery had done to Michael-Thomas’ face. Supposed to still be up in there, that chip of metal, under the ruin and crater where his left cheek … “Here you go.” Anna Beth passed off the Whitworth to him.
Rifle in hand, Michael-Thomas gimped himself over to where she pointed—the open window. There he stood his cane against the wall and laboriously got down kneeling. With practiced grace he lay the rifle across the window sash, nor did he even bother with the telescopic sight at this distance—just a couple hundred yards. He shot, muttering, “Damn! Just look at ’em,” a moment before he did so. The kick liked to knock him over.
Anna Beth had fingertips jammed in her ears against the report, but it was loud anyhow. Through the window and down the yard she saw the bigger dog, dirty mustard color—had been nosing round in the honeysuckle near the rabbit warren—suddenly drop from view into deep weeds. Looked like the littler one didn’t have the sense to dash off into the woods. All while Michael-Thomas reloaded, the other dog nudged its nose downward at the carcass unseen in the weeds, and just looked up and all around, whining—pitiful if it weren’t so ugly. Michael-Thomas shot that one too.
“Ah,” he said. “Oh.” He swapped the Whitworth for his cane, leaving the rifle on the floor under the window. “My head’s killing me.” Michael-Thomas went right on back to the bedroom to lie down again.
He could be relied on to hit just what he aimed for, so Anna Beth didn’t fear to see gore-soaked dogs yelping and kicking, only half-dead, out there in the untamed, overgrown end of the yard, should she take a notion to venture out that way for a look-see. Would them dogs be just as big, up close and stone dead, as they’d looked from far-off and alive?
But it weren’t carcasses nor live dogs, either, back there where the weeds grew thickest. Two dead niggers, naked as sin. Gal with the back of her head blown off, and buck missing his forehead and half his brains too. Anna Beth come running back up to the house, hollering.
Copyright (C) 2014 by Kai Ashante Wilson
Art copyright (C) 2014 by Richie Pope
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